Hope you like these - the best from my second Holga film. Shot this time with Fuji Superia 400.
Wednesday, 13 February 2008
More Holga Fun
Hope you like these - the best from my second Holga film. Shot this time with Fuji Superia 400.
Monday, 4 February 2008
Plugged Out
Plus I hate the title....
Her mouth moves rapidly, red lips and white teeth. Words are coming out but all I hear is music. I raise my eyebrows in response, prompting the woman to turn to her friend. The mouth keeps moving, and she flings her arms about, somehow not hitting anybody.
The song ends, and another one begins.
My hand grips the rail as the train comes sharply to a stop, and a carriagefull of people lean slightly in the same direction, then fall back into place. The doors open and I push past to exit the carriage. On the platform I have to manoeuvre around a group of people who have chosen the platform to conduct a meeting, for what I don’t know. I see them discussing something, animated gestures and lots of nodding and shaking of their heads. I walk on.
On my right against the wall of the station is a man playing a cello. Most people walk past without a moment’s glance, but a boy of maybe six stands and watches. I see the musician smile at the boy as I pass.
Near the bottom of the steps that exit the station is man holding his hand out, with the abstract black shape of a dog next to him. I think he is trying to ask me for money. I walk up the steps and out into the rain.
It was sunny when I caught the train, but the wind has pulled a wad of clouds, dark black at the bottom but white at the top, in front of the sun and they have started to leak. The rain is not heavy, but it will be. Removing my hands from my deep pockets I fling my hood up and stomp out into the beginnings of a puddle.
The song ends, and another one begins.
A perky young woman holding a clipboard is standing looking up at the clouds. She looks back down, her face screwed in dismay, but it lights up when she spots me. She skips towards me, smiling broadly, and her mouth opens wide in greeting. It is easy to look down at the floor and she is gone.
Ahead of me umbrellas are appearing above people’s heads as the rain gets heavier. Faces are hidden, and I plunge forward through the shifting crowd. A man, refusing to let the rain move him, holds out a Big Issue in front of me, but I walk past without a word. Something makes me look over my shoulder at him but I cannot hear what he is saying after me. Probably some sarcastic comment.
I’m coming to the marketplace now. Soon I am surrounded by stalls. I do not stop but turn my head side to side, seeing what is on each stall. Sometimes my eyes meet those of the stall owners, and their eyebrows raise and their mouths move and their arms gesture. I turn my head, to see what is on the other side, and keep walking.
The song ends, and another one begins.
At the other side of the market there is a stall selling all sorts of pasties, sausage rolls, and pies. I am hungry so I stop and point to a pasty at the front. The seller takes it and wraps it up, then says something to me. I look up as I am searching for my wallet and he says it again, then puts his hands up to his ears and makes a pulling motion. I hold up my hand and pull out my wallet, finding a ten pound note inside. He takes it from me with an exaggerated shake of his head, and holds out the change. I take it and my pasty, and I leave, scattering a group of pigeons that have gathered looking for scraps. I duck as one of them flies up and past my head. I turn back, and they return to their patch instantly.
I bite into my pasty, dropping crumbs onto the path. I step out into the road and for some reason look to my right, where a car has stopped and its occupant is shouting inside the car. I shrug my shoulders, and he opens his door and sticks his head out, still shouting. But I can’t hear him. I shrug at him again, and walk on.
The song ends, and another one begins.
Across from the marketplace there is a man with a megaphone, ignoring the rain. In front of him is a hand-painted sign that reads ‘Listen to Jesus’. His feet are rooted to the spot but the rest of his body is flailing about as he bawls into his mouthpiece. Maybe it is better that I cannot hear what he is shouting. He points directly at me as I walk past, crouching down low, his arm shaking to the tip of his finger. I escape from the street into the coffee shop.
Waiting inside is my girlfriend. As I walk over she gets up from her table and wraps her arms around my waist, kissing me. Pushing my hood off my head she grins, and tries to say something to me. I break from her embrace and shove my bag off onto the floor, and reach up to remove my earphones.
I can’t.
The song ends, and another one begins.
I pull once again, but they won’t move. I use both hands and try and pull the left one out, attempt to pry it from my ear. But it is stuck. I try the right, and it is stuck. I can’t get out. Panic hits me like scalding coffee thrown in my face, I grab for the chair but knock it to the floor. I fumble in my pocket, hitting the stop button on my iPod, hitting every button, but the music doesn’t stop. I try to pull the cord out off the player. Nothing. Taking hold of the wires in my ears I pull again… as hard as I can, but nothing. I am trapped. The music plays, but I don’t recognise it. I think it is my favourite song, but I don’t hear it. It is just noise now, burying me. My girlfriend grabs my arms, her face a horrible mess of confusion and horror and tears, and her mouth is wide open in a scream I cannot hear.Wednesday, 30 January 2008
Educating Creativity
I absolutely love this video. Sir Ken Robinson giving an inspiring talk calling for an education system that truly nurtures creativity, instead of killing it.
Wednesday, 23 January 2008
The Wink
“Sit still, dear,” my mother tells me.
I wriggle in my seat.
“I said, sit still!”
I hadn’t moved until she said anything. It always seems to happen that way. I only end up doing something wrong after she has already told me not to do it. I don’t mean to, it’s just the way things work out. Don’t ask me to try and explain it, I’m only six.
My bag is lumpy. We are on the bus after the one we normally get. I couldn’t find my shorts, and I have P.E. today.
“You do know I’m going to be late for work now, don’t you?” she says to me, looking at the people on the other side of the bus. We are near the back, where the seats change from being set out two behind two, two either side of the aisle, like normal, to being lined up along the sides of the bus, facing each other. I can’t see any reason why.
“Sorry,” I say.
“Sorry isn’t good enough.”
The bus stops, and a large lady stands up further towards the back. As she waddles forward the sun stabs in through the window from behind where she was sitting, right into my eyes. I screw them up tight, but I can still see bright orange pulsating behind my eyelids.
“Don’t you think they should have curtains on buses, mummy?” I ask her, my hand up in front of my face.
“They do on coaches,” she explains to me.
“Why not buses?”
My mother looks down the bus, towards the front.
We stop, and further down the bus a man stands up from his seat and gets off. As we pull away I look at him out the window, then to his empty seat, and then into the sun. I hold my bag up in front of my face, until my mother tells me to stop ‘messing about’ and so I put it down again.
“That seat is empty,” I say. “Can I…?”
“Certainly not,” she says, stretching upwards to peer at whoever is sitting next to the empty space. “I don’t want you disturbing that young lady over there.”
A few more stops and a man in a suit gets on and sits down in Fat Lady’s seat. Although he is not as large as she was he is tall, and his head blocks the sun perfectly.
He rests his briefcase on his lap, which looks uncomfortable. I shift under the weight of my own bag.
“Will you please… sit still?”
I do as she tells me, or at least try. It’s very difficult to sit still when you are so uncomfortable. My mother twists around and looks out of the window as the bus passes a row of houses. One of those houses must be very interesting; she looks at them every day. She makes like she has just remembered something, and says to me, “Jackie will be picking you up tonight.”
“I don’t like Jackie,” I tell her.
“Well, tough…” She looks at the back window of the bus, back towards those houses. “I’ll be busy come home time.”
“Doing what?” I ask.
Looking over at the man again I notice how unlike my father he looks. And not because he’s wearing a suit. My father wears a suit. He’s about the same age as this man. Similar build. I think, now, that they may have the exact same briefcase. But my father doesn’t look anything like this man.
I sit as quiet as I can. We stop again, and people get off and some more people get on. The bus is pretty full now. All the children have got off the bus now. I think I am the only one in my school who gets this bus. Maybe all their parents have cars.
Everybody left on the bus is staring forward, at the backs of the chairs in front of them. Except my mother, her eyes darting about this way and that, looking for what I don’t know. And, I notice, except for the man in the suit who looks nothing like my father.
He is looking at me.
I smile at him, and he smiles back.
Then the man winks at me.
I feel my smile getting broader, until it turns into a grin. I laugh, but no one looks at me.
“What’s your name?” the man says.
“Elliot.”
“Hello, Elliot. I have a son about your age.”
This strikes me as an odd thing to say, although I can’t work out why. No one ever says anything like that to me.
“Does he go to Ridley First School?” I ask him.
“No, he goes to Kingswood.”
“Oh.”
“It’s a shame, I think he would be your friend.”
“Really?”
“Yes, I think he would. You seem like a nice young man.”
I don’t know what to say to this, so I don’t say anything. My mother tells me that it is rude to ignore people. As I think this I look at her, and she is on the phone. I didn’t even notice. I look back at the man, and he is still looking over at me, holding his briefcase and smiling.
“Sorry, I didn’t mean to ignore you there.” I say.
“Just because you didn’t reply doesn’t mean that you ignored me…”
I smile.
“I’m glad you sat down there.” I tell the man, gratefully. “You blocked the sun from shining in my eyes.”
He turns round, squinting into the sun.
“Don’t you think they should have curtains on buses?” I suggest, when he turns back.
He laughs. “Why not? They do on coaches…”
“Exactly,” I say.
I turn to my mother. She isn’t looking at me.
Monday, 14 January 2008
Dear Everyone...
May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you're wonderful, and don't forget to make some art -- write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.
- Neil Gaiman; 2001, 2004, 2007.
Friday, 11 January 2008
The start of a beautiful friendship...
The Holga, for those of you who don't know, is a camera first made in 1982 as a cheap-o, mass-market camera, with a plastic lens and medium format (120) film, and is today part of Lomography. A celebration of the experimental, the personal, the crazy, the spontaneous, the lo-fi, the accidental, the dreamy, the square, and the 10 Golden Rules.
So, these are from my first film. It was really exciting to have to wait to see how these came out, recieving a small green packet over the counter, filled with negatives, prints, and a CD, instead of the instant "Oh yeah, that's good" or "Shit, delete that..." digital photography that we've all become used to.
The reason they are a little dark is that the days I were shooting were pretty dull, and I unfortunately was restricted to using the only film I had at the time, Fuji Superior 100, which is really only good for sunny days. For overcast days you really need a 400 speed film, or more.
Having said that, I'm really quite pleased with how they came out, and I'm geekily excited about finding out just what I can do with this camera. Expect more!
Tuesday, 8 January 2008
To Make You Feel Like a Woman
Written for Prose Workshop 1
The mirror is dirty and there is a crack in it. I wet my fingers and rub away some of the grime. Resting both hands on the sink I move my face close to the mirror, running my tongue over my teeth. I can taste the plaque.
Coughing comes from the bedroom. I inspect the hair on my face; tilting my head up and to one side, then the other. I run my fingers across the hairs, up and down along my jaw. As I squirt shaving cream into my hand, a voice calls from the bedroom.
“John…?”
I rub the cream between my hands, spread it over my chin, and pick up my razor. The blades are dull; I keep meaning to replace them. Every day it is harder to shave without cutting myself. Filling the bowl with warm water I dip the razor in, shake it, and begin shaving on the right side of my face.
I can see in the mirror that she is standing behind me now, wearing nothing but my t-shirt. She grabs her hair with both hands and runs them through it, pulling hard so that the black bunches up on top of her head. She looks to the ceiling, then back at me. The light in the hallway is not on, but the bathroom light is enough to show the bruise under her right eye. As she steps forward towards me I can see that it has turned yellow; the same colour as my tongue. She lifts her arms ever so slightly, as if going to put them around my waist, but she doesn’t.
“Go downstairs, and make yourself some coffee.” I say, shaving the spot under my nose. She does what I say and while she is gone I finish off. I am just padding my face dry when she comes back upstairs.
“Get in the bath.” I say.
She shakes her head. I step towards her.
“Sweetheart… get in the bath.”
“After my coffee, please. It’ll go…”
“Now.”
She just stands there. Reaching up I take the mug from her hand, and take a large mouthful. Putting it down on the sink I take her by both hands and pull her into the bathroom. I look at her face, everywhere but her eyes, and brush a stray lock of hair out of her face, behind her ear. It falls back down, so I tuck it back again.
“That’s better.” I whisper.
She sits down in the bath, flinching as her backside touches the cold acrylic, and then tucks my t-shirt under her. Taking the shower head I turn it on and let the water run warm, as I step into the bath. I look down at my girlfriend. She is hugging her knees, and watching the water run down the plughole.
“You ready?” I ask her.
“Go on…”
I squat down on my haunches, and move the shower head over her legs. She tenses, and lets out a gasp.
“Too hot?” I ask.
She shakes her head.
I am kneeling, between her legs, and my jeans slowly become wet as I keep moving the shower slowly up one leg then down the other, then back again. As I do I reach down and feel her legs.
“You do need a shave, don’t you?”
“Mmm hmm.”
When her legs are wet enough I cover them in shaving cream. I examine the can. On it are words like satin feel and sensuous and to make you feel like a woman. I sniff her legs, smelling the cream.
“It smells nice…” I say.
She looks up at me. “You always say that.”
I shrug, and put the can down. “Just stay there.”
Getting out of the bath I go to the toilet and relieve myself. Leaving the toilet seat up, I take my razor from the sink and get back in the bath.
She looks at the razor. “Mine’s in the…”
“I know.” I say.
I begin. The hairs on her legs are not too long, but the bluntness of my razor makes this more difficult than it should be. I watch the white cream disappear with every long, slow stroke. I am smiling, very deliberately. I rinse the cream from my razor, and return to shaving her leg. I am almost finished her left. She says something, but I don’t hear what it is.
“What was that?” I ask, without stopping. I press slightly harder with my razor.
“Nothing,” she replies. I have finished shaving her left leg now. I run my hand slowly up her leg, up the inside, starting at her ankles and stopping in between her thighs.
“You have beautiful legs…” I tell her.
Taking one leg gently I place it to the side, spreading her legs apart. As I begin to shave her right leg I look between them, staring.
“You need a shave there, too.” I tell her.
She shifts her left leg back, slowly. I stop shaving, and look at her for a moment, before placing it back out to the side.
It is then that she begins to cry. She stares downwards, her hair over her face. I continue, trying to ignore her tears.
“I wish you wouldn’t cry,” I say. “You know I hate it…”
“Then why…?” Her sobs get deeper and heavier, choking her words.
“Sweetheart… if you keep crying, and shaking like that…” I am still shaving her, going as slowly as I can.
“Please…” she cries. “Pl…”
Suddenly there is blood.
“Now look what you fucking made me do?”
The cut is deep. I drop the shower head, and it clatters into the bath, still running. The water shoots up into the air and down onto my girlfriend, soaking my t-shirt which clings to her breasts. Her right leg, half unshaven, is covered in a mixture of white and red; the colours slowly diluting and washing away.